The Paramount Theatre, which produces Austin’s annual Moontower Comedy and Oddity Festival, has announced the early lineup of comedians who will appear in 2016 and has placed discounted, early bird badges on sale. The festival takes place from April 20-23, 2016 at venus throughout Austin.
Slated performers thus far include Martin Short, Kevin Smith, Maria Bamford, Jim Norton, Debra DiGiovanni, Piff the Magic Dragon, Sklar Brothers, Ron Funches, and Anjelah Johnson (who will present her popular character Bon Qui Qui’s Gold Plated Dreams Tour featuring Group 1 Crew).
Short, Smith, Bamford and Johnson will headline on the Paramount Theater stage, while writer, comedian, podcaster, and film director Smith will also present a live taping of his “Jay and Silent Bob Get Old” podcast with buddy Jason Mewes as a special badge-only event.
Returning favorites include Andy Kindler, James Adomian and the Sklar Brothers, and newcomers include new “Saturday Night Live” cast member Jon Rudnitsky and “America’s Got Talent’s” Piff the Magic Dragon.
Here’s the current list of performers:
James Adomian, Maria Bamford, Ahmed Bharoocha, Joe DeRosa, Debra DiGiovanni, Sean Donnelly, Jo Firestone, Ron Funches, Goddamn Comedy Jam, Angela Johnson, Jesse Joyce, Andy Kindler, The Lampshades, Matteo Lane, Annie Lederman, Joe List, Josh Adam Meyers, Jim Norton, Johnny Pemberton, Piff the Magic Dragon, Tony Rock, Jon Rudnitsky, Martin Short, Sklar Brothers, Kevin Smith, Beth Stelling, Brad Williams, and Jenny Zigrino.
Moontower FAN, ACE, and VIP badges are now on sale at an early bird discount at www.moontowercomedyfest.com, at the Paramount Theatre box office, or by calling 512-474-1221. Single-show tickets for Paramount headliner shows will go on sale at a later date.
I didn’t have to go see Friday’s “Dr. Katz Live” at the Stateside Theatre, part of the 2015 Moontower Comedy and Oddity Festival. My colleague Omar Gallaga went on Thursday and did a great job in his write-up of the event which, except for a few different comics (I got to see Eddie Pepitone, Todd Barry and Marc Maron instead of Dana Gould, Maria Bamford and Andy Kindler) seemed pretty much the same.
But, like Omar, I could not resist the chance to see a memorable part of my past played out live onstage. For those not in the know, comic Jonathan Katz plays a psychiatrist named Jonathan Katz whose patients are all stand-up comics.
As in Thursday night’s outing, Emo Philips (he played both shows along with Dom Irrera) best embodied the spirit of the original squiggle-vision cartoon, and not just because of his spastic movements. He drew great laughs from the crowd throughout his visit, mostly with cleverly placed lines from his stand-up act, while Katz sat by and watched.
Phillips is not a Scientologist, he insisted, explaining that he’s “not a fan of stupidity even when it’s not evil.”
The neurotic Maron, as you might imagine also fared extremely well on the bogus therapist’s couch (well, chair). At one point, he told Katz he was uncomfortable talking about his problems in front of a theater full of people, asking, “Are we still in the bit?”
After a brief stop at the Moontower Lounge on the second floor of the Intercontinental Stephen F. Austin Hotel, I headed next door to the Paramount Theatre to see Patton Oswalt (“King of Queens,” “Ratatouille”), the festival’s hottest ticket.
The Moontower organizers did a stellar job of arranging the openers for Oswalt. Mike MacRae ably warmed up the crowd for Brian Gaar, who absolutely nailed his set with stories and jokes about parenting, video games and the city of Waco, where he grew up. Gaar explained Waco with a single sentence: “They built a new road … and they named it New Road.” Later, he told the audience he was awakened by a police officer at 3 a.m. because the cop wanted his help in stealing the New Road sign. A joke about a Master’s Degree in English was a masterclass in comic timing.
Gaar was followed by “Mr. Show” actor Karen Kilgariff who, with beatboxer Drennon Davis, entertained the crowd with original musical numbers, the funniest of which was a song about horrible tattoos. “I think we struck a nerve,” Kilgariff cracked in the middle of the number, which really couldn’t have been more tailor-made for the Austin crowd.
Oswalt, naturally, delivered in spades.
He began with a 10-15 minute bit about waiting on the Congress Avenue bridge for the bats to appear, a visit he had just made prior to the show. The brand new routine was, remarkably, as polished as his standard tour material. It contained detailed descriptions of crowd members and ended with a killer line about a man who had been waiting in front of him for an hour, only to finally turn around and ask the other crowd members what they were all waiting for.
Other material touched on religion, his worst gig ever, his parents, clowns, and the song “The Little Drummer Boy.”
Oswalt was also in hilarious form during his crowd work. He nearly whiffed with the first two audience members he singled out — a woman who did marketing for start-ups, and a Family and Sports Medicine doctor. But he struck comic gold with his third victim, an author who wrote modern feminist fiction under a pen name. When pressed about why she used a pseudonym, Oswalt got the woman to admit it was because some people would consider the work to be erotica. Oswalt then guessed that her pen name must be “Vulva Fantastic.”
I’m sure that wasn’t the woman’s actual nom de plume, but “fantastic” is actually a pretty accurate way to describe Friday at Moontower.
The last time I was this close to comedian Emo Philips was 30 years ago. He was performing in front of a few dozen people in the basement of a Jake’s Pizza Parlor in Lisle, a western suburb of Chicago, Ill. (Philips is a native of another nearby suburb, Downer’s Grove).
I wasn’t sure what to expect these days from the extremely weird stand-up, but his hilarious (and far too-short) set at the Speakeasy Thursday during the Moontower Comedy and Oddity Festival capped off a terrific night that began at the Paramount Theatre with the musical comedy of Tim Minchin, who I mainly wanted to see so that I could stop hearing people tell me “You’ve got to go see Tim Minchin!”
These folks, mainly organizers from the Paramount, played the atheist and skeptic Minchin’s performance up to ironically biblical proportions.
And Minchin over-delivered.
The eccentric-appearing singer, pianist and composer walked onstage wearing heavy eye make-up (the better to see his hilarious expressions); a stylish, fitted suit; and neither shoes nor socks.
You know that expression that somebody was “played like a fiddle”? That’s the best way I can explain how Minchin manhandled and caressed the grand piano at which he sat for the better part of an hour and a half. Perhaps those dark eyes hypnotized his audience, because I can clearly remember him ripping the keys from the instrument, mashing them together, remixing them — bending and shaping them to his will.
It would have been a great show had he simply played — and played anything — on the piano. But the songs he sang were similarly twisted, full of witty jabs at politics, war, religion and family life. Like a magician, Minchin repeatedly led the crowd down a path and then took sharp turns, veering in directions we never expected to go.
I should qualify that “we,” because so many members of the audience were thoroughly familiar with Minchin’s songs; if you can sing along with the intricate and silly, Tom Lehrer-style rhymes Minchin composes, then you’re a fan.
Minchin claimed that he’s not a comedian, but his occasional non-musical interludes between numbers proved otherwise. I was especially impressed by his crowd work.
He ended his performance with a touching rendition of “Seeing You,” a number he wrote for the stage musical version of “Groundhog Day” he is putting together with Danny Rubin, who penned the script for the Bill Murray movie and is writing the book for the musical.
It was a sweet, but oddly conventional ending to the unconventional show — another surprise twist.
Speaking of odd, let’s get back to Philips.
Still sporting his familiar page boy haircut and a wide-sleeved, prison gray tunic, the comic appeared in a curated set hosted by the Sklar Brothers (who were great, but repeated some of the same material they presented at last year’s Moontower).
He’s got the same slow, affected, falsetto delivery you remember, but his non-sequitur barbs (think Steven Wright or Mitch Helberg, who must have been inspired by Philips) seemed edgier than I had recalled.
Even old gems such as, “A Mormon told me that they don’t drink coffee. I said, ‘A cup of coffee every day gives you wonderful benefits.’ He said, ‘Like what?’ I said, ‘Well, it keeps you from being Mormon …'” sounded fresh and drew belly-laughs from the crowd.
“I prefer smart audiences because smart people don’t heckle,” one of his newer jokes began. “If a smart person doesn’t like a comedian, he just blames himself for not having more assiduously researched his entertainment options. Stupid people shout, ‘You suck.’ Smart people think, ‘I suck, for not Googling him.'”
Philips appears again at 7:30 p.m. Friday at the Stateside’s “Dr. Katz Live”; at 8:15 Friday at the Parish for “Stars in Bars”; and at 8:30 p.m. Saturday in “Stars in Bars” at the Vulcan Gas Company.
At Moontower Comedy Festival‘s all-women showcase, “Late Night with Seth Meyers” writer Michelle Wolf cut right to the point: Anticipating smooth sailing for presidential candidate Hillary Rodham Clinton is an interesting thing to hold out for in a country where some dark, basement-dwelling corners riot over the very idea of an all-female “Ghostbusters” reboot.
The She Bang showcase at Speakeasy on Thursday night charted a nine-stop tour of all the different voices comedy has to offer, with the added bonus of being a (mostly unspoken) comedypolitik statement on women in comedy. Host Phil Hartley, the only Y chromosome to set foot on the stage, made the sarcastic wasn’t-she-hilarious-dramatic-pause-for-a-girl joke only once, which seemed inevitable and unnecessary (and yes, tongue in cheek). Any combination of the evening’s comics would make the the Stay-Puft marshmallow man explode in laughter (and ectoplasmic fluff), and everyone in attendance knew it.
The show was a survey of every way you can do standup. Local comic Avery Moore served up underdog eccentricity and her crowd-pleasing, country-pop-skewering “Dirt Road” bit, which everyone in Austin should see at least once. “The Daily Show” producer Jena Friedman went abrasive with a 9/11 joke and other barbs that we don’t feel comfortable writing in this blog, and cringe-comic Erica Rhodes repped for small-voiced discomfort. On opposite ends of the performance spectrum, Ophira Eisenberg (of NPR’s “Ask Me Another”) exuded seasoned confidence, and limber experimental comic Kate Berlant took the audience on a riotous trip to art school.
The standouts of She Bang set the audience on fire with chain-reaction chuckles: Liza Treyger, who’s appeared on”Chelsea Lately,” cruised with the sharp confidence of a woman who takes a stretch Hummer limo to a Miley Cyrus concert. (On couples who don’t hold hands and squandered opportunities: “That’s like thin people who don’t dress well.”) The aforementioned Wolf, crackling, elicited righteous laugh-tears at the audience’s expense on a Malaysian Airlines bit. Michelle Buteau, a VH1 host who’s appeared on “Key & Peele,” claimed the most riotous performance of the night, drawing all in with her bawdy confidence — especially an older woman in the audience named Nancy, whom Buteau roped in as her sidekick whether she was willing or not.
Much to this reporter’s chagrin, audience members started trickling out before the end of the showcase, which closed with a thoughtful set by “Saturday Night Live” featured player Sasheer Zamata. Have you seen Pixar’s “Big Hero 6”? Zamata has — stoned — and she demonstrated how the cartoon brought out her inner Angela Davis. The “SNL” performer is a sharp social observer if not a noted impressionist; hopefully the NBC sketch show gives her a little more room to speak her mind in the future. (Not to hint too blatantly, but it’s not like anyone else is really using the Weekend Update desk for the common good these days.)
Catch another She Bang showcase at the Parish on Friday at 10:15 p.m. Zamata, Treyger, Rhodes, Buteau and Eisenberg will be joined by Maggie Maye, Lashonda Lester, Emily Heller and host Guy Branum.