Marc Maron’s river of rage: surprisingly crowd-pleasing at Moontower Fest!

Marc Maron performs at the Paramount Theatre on Thursday, April 23, as part of Moontower Comedy and Oddity Festival. Credit: Birdsong Imaging, Mandy Earnshaw, contributed by Moontwoer
Marc Maron performs at the Paramount Theatre on Thursday, April 23, as part of Moontower Comedy and Oddity Festival. Credit: Birdsong Imaging, Mandy Earnshaw, contributed by Moontwoer

Long-time listeners of Marc Maron’s popular interview podcast, “WTF With Marc Maron” and even viewers of his IFC TV show, “Maron” know that an angry, perplexed Marc Maron is a great Maron (at least for the audience). Maron spews invective and holds grudges with the best of them and seeing, or hearing, his barely concealed ire let loose is a beautiful thing.

It’s even better when beneath it all it seems like he’s in a genuinely good mood as he was Thursday night for a 9:30 p.m. show at the Paramount Theatre as a Moontower Comedy and Oddity Festival headliner. Clad in a blue plaid shirt, boots and his hipster-adjacent mustache and glasses, Maron was more playful than you might expect from a comedian who makes frequent hay of emotional damage, failed relationships and the struggles of being a 51-year-old man who lives alone and talks to cats.

Though it sounds from his act that his relationships are a mess (unlike most comedians, when Maron talks about his dating life, you get the sense he’s being completely honest), Maron was in fine form Thursday night, delivering both forceful assaults from his self-described “River of rage,” but also interacting with the audience for their various uses of “Wooo!” delivering a bit of improvised physical comedy involving moving a stool, microphone stand and mic cable, and at one point allowing a rolling water bottle to upstage him.

Even when he was berating an audience member for staring at him oddly (“What do you need, man!?”), Maron never seemed as misanthropic or damaged as his past comedic work has suggested. In fact, no matter how far he went into material about sex (bodily fluids figured largely into the act’s final minutes), into the pleasures of yelling at others or even biting the hand that feeds him at the fest (“Whose dumb idea were these hanging things?” he asked about the set decorations), he came across as more lovable than pathetic, a guy who’s found himself by embracing his angry side.

Maybe it’s that this fan of BBQ loves Austin and has found the only place with more hipsters than his gentrified neighborhood in Los Angeles. In fact, he warned Austinites, “If you want to keep Austin weird, stop building so many (expletive) hotels,” Maron said. “This is the hipster Alamo, you must defend it.”

If there was a running thread in his hour-long set about zombie Jesus, childhood traumas and ice cream overindulgence, it was his “Inner blogger voice,” an ongoing third-person critique of the show with dispatches about each joke’s reception, each ending with, “More later.” It’s becoming a regular bit of business for a lot of comedians to comment on the show as the show is happening (Maria Bamford and Jim Gaffigan are among comics who employ it), and in someone less comfortable on stage and, let’s face it, less self-lacerating, it would have become tiresome.

But Maron has somehow come out of his years of struggle, self-defeat and frustration as that rarest thing: a polished, stressed gem who also happens to deliver consistent, deep laughter. Maron is definitely his own thing, thank goodness for us.

Marc Maron will be on hand at 6 p.m. Friday for a screening of the first episode of the third season of “Maron” at the Paramount. At 7:30 p.m., he’s scheduled to be part of “Dr. Katz Live” at Stateside at the Paramount.

Author: Omar L. Gallaga

Omar L. Gallaga is a technology culture writer for the Statesman's tech website 512tech. He's been at the Statesman as a reporter and editor since 1997. He also is co-host of "Statesman Shots," our weekly Austin culture podcast. He's written for Rolling Stone, the Wall Street Journal, Television Without Pity, and NPR's "All Things Considered." He's also a staff TV writer for

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